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In the new Korean horror film Gokseong The Wailing , a ghost, a demon, a shaman, and a zombie-like viral infection have invaded a remote mountain village.
But none of those things is the truly scary part. Writer-director Na Hong-jin made an international splash in with his feature debut The Chaser , which he followed up in with The Yellow Sea ; both films are dark thrillers involving lone, lost men caught up in events far beyond their control.
And on the surface, The Wailing — his third film — offers more of the same. Its Korean-language title refers to the name of the remote, isolated mountain region at the center of the plot, while its English-language title has far more to do with the biblical plague—esque wave of violence, death, and sickness that seems to strike the town out of nowhere.
A tense blend of genres, The Wailing succeeds at combining a mood of deep unease with visceral gore, buddy cop comedy, and a hallucinogenic mix of horror tropes — a recipe that yields, among other things, an atypical exorcism helmed by an intense Korean shaman.
The film was a success at Cannes last month, and hype has been building ever since. The Wailing starts off in a rash of madness and stays that way.
At its center is the beleaguered police sergeant Jong-Goo, played with a brilliant mix of exhaustion, indecisiveness, and fear by Kwak Do-won.
The killers all seem to suffer from the same zombie-like symptoms — they appear crazed and inhuman and are trying to eat the flesh of the living — as well as a skin rash and boils.
At first, Jong-Goo dismisses the rumors about this man and his evil supernatural powers as sheer ignorance.
As Jong-Goo, Kwak swings from moments of comical incompetence as the fuddy-duddy local policeman to moments of barely concealed self-loathing to moments of absolute horror and rage as his distrust of the Japanese stranger and his fear for his daughter grows.
But eventually squirms and dies. I suppose the evil spirit leaves him. Just then they spot the Stranger and chase him. They lose him over the cliffs.
Notice how the Stranger is afraid, he is not possessed at this moment. As they drive back, Jong-goo loses control of his truck and swerves.
As he does, a person lands on his windshield. They step out and see that it is the Stranger that they were chasing.
This is bait, and Jong-goo takes it. He commits a sin and Moo-myung, who watches on, loses the ability to protect his daughter. His daughter gets better, but it is only temporarily.
They take her back home. Il-gwang tries to reach Jong-goo but is unable to. He gets intercepted by Moo-myung who makes him bleed and puke excessively and asks him to leave town.
In fear, he gets into his car and drives away. Moo-myung has set a trap for the evil spirit, the flower. It is essential that Jong-goo shows trust in her.
Only then, this trap will work. Jong-goo needs to stay out of the house. He sees the many missed calls from Il-gwang and reaches out.
In the end of The Wailing, Il-gwang, who is trying to leave town passes through a swarm of locusts and is forced to turn back.
This is a call to him by the evil spirit. Il-gwang tells Jong-goo a lie that the Stranger is the good guy and that he was wrong about him. And that Moo-myung is the evil spirit.
He asks Jong-goo to go straight home. He knows this will break the trap. Moo-myung meets Jong-goo and tells him that if he goes home, everyone in his family will die.
That the Stranger is using his family as bait and is waiting for him. And that the Stranger is not someone who can die.
She also mentions about her trap and that it would work only if Jong-goo waits till three rooster crows before going home. She tells him that he has sinned by plotting to kill and killing and hence he must go through this test of faith.
He gets a call from Il-gwang telling him to go home. Moo-myung holds his hand. The trap is broken because of this and everyone in the family is killed by his daughter.
Moo-myung is helpless. We are shown the daughter covered in blood and sitting motionlessly outside. See the full list. In the small village Goksung in South Korea, police officer Jong-Goo investigates bizarre murders caused by a mysterious disease.
His partner relays gossip that a Japanese stranger, who lives in a secluded house in the mountains, would be an evil spirit responsible for the illness.
Jong-Goo decides to visit the stranger along with his partner and a young priest who speaks Japanese. They find an altar with a goat head, pictures on the walls of the infected people that died, and an attacking guard dog that prevents their departure until the stranger arrives.
Jong-Goo finds one shoe of his beloved daughter, Hyo-jin, in the house of the stranger, and soon she becomes sick.
His mother-in-law summons the shaman Il-gwang to save her granddaughter while a mysterious woman tells Jong-Goo that the stranger is responsible.
Who might be the demon that is bringing sickness to Goksung? This will be the first review i'm writing, Because i'm enthralled by this piece of art.
Gokseong is directed by Hong-jin Na who previously have made very fine movies like yellow sea and chaser. But the setting of this movie is different from those movies, It kind of felt like Memories of Murder in darker tone.
This is the story of a village, where people are suffering from a mysterious diseases which seems like some kind of virus and this ends up killing them, and in the middle of somewhere a Japanese stranger seems to be involved in this.
Now, i'm not going to say more than that about the story , and i suggest you to not watch the trailer which doesn't do justice to the movie and stay away from any possible spoiler.
It is one of the best horror movies i have seen in long time, it doesn't have jump scares. But what this movie does, it slowly grows on you, you will be confused, conflicted, disgusted while watching this.
Somewhere you will make a choice, a perspective to the way things are going and possibly will be wrong. So i strongly suggest you to watch this movie if possible in a secluded environment and if possible alone.
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